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There is a room at the Guggenheim in Venice where time stopped for me. Standing in front of Empor (Upward) — 1929, Kandinsky…

A vernissage. My works on the walls. Someone stops in front of one, looks for a long moment, and asks: what…

My works are digital by nature, which means they are technically infinite. A file doesn’t wear out, doesn’t degrade, doesn’t…

Every practice exists in relation to what came before it. This is not a limitation — it is the condition…

Before the artist’s gaze, the hybrid does not exist. This is the radical claim of quantum mechanics applied to generative art:…

The algorithm is a closed formal system. It operates according to rules I designed, applies them with mathematical precision, and produces…